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QUOTES & TESTIMONIALS

What our customers are saying.
Testimonials describe what has been, and are a promise of what is to come.

I've said to many people our operetta's haven't sounded this good in 20 years!

- Chris Frye, Producer, Lyric Theatre
2019 The Gondoliers

I feel that for the first time ever this year we achieved the natural and balanced sound we’ve been searching for. We were very, very happy about this.

- Peter Kozma, Artistic Director, Opera NEO
2018 The Merry Widow, Idomeneo

The echoing voices of anyone who wanders through the cathedral's vast interior (produced by sound designer Alan Chang) complete the illusion that we are in fact in Paris at Notre Dame.

- Eddie Reynolds, Reviewer, Talkin' Broadway
2017 The Hunchback of Notre Dame, Hillbarn Theatre

You did an excellent job with that film [DECON, 2014] and I continue to show it to all of my thesis classes.

- Nick Sivakumaran, Senior Directing Instructor, New York Film Academy Los Angeles
2017

The response was so overwhelmingly positive and so many attendees want their friends to see SEVEN they begged us to do it again!  You made beautiful sound!

- Claire Lipschultz, Board of Directors, National Council of Jewish Women Sacramento
2015 SEVEN

Alan Chang's sound design was flawless.

- Linda Hodges and Nick Hodges, Theatre Critic, Broadway World San Francisco
2014 Funny Girl, Hillbarn Theatre

Perhaps the biggest accomplishment for this production was the sound.

- Susannah, Reviewer, Artsalot
2014 Funny Girl, Hillbarn Theatre

Alan Chang’s sound design adds drama, especially at the very first with the sounds of a fierce wind whipping up the top soil and blowing it away.

- Judy Richter, Reviewer, For All Events
2014 The Grapes of Wrath, Hillbarn Theatre

Alan Chang’s sound, especially during the huge storm and flood

- Joanne Engelhardt, Theatre Critic, The Mercury News
2014 The Grapes of Wrath, Hillbarn Theatre

Alan Chang has done a nice job with the sound design.  The actors are amplified, and the balance with one another and between the vocalists and the instrumental ensemble is very good.  Every note can be heard, whether it’s sung by the actors or played by the cellist.

- Ande Jacobson, Reviewer, A Good Reed Review
2013 john & jen, Hillbarn Theatre

The audio mixing added so much depth to those scenes.  First time viewers could not tell what was ADR and what on-set audio.  Many of the audio hurdles that we originally had have been fixed and cleaned up.

- Ken Castellano, Director, 908 Media
2012 Return To Start

Alan your contribution was tremendous!!!! This short would be nothing without you, thank you so much!

- Shawn Philip Nelson, Director
2011 The Rook Moves

I couldn't believe how good it sounds now.  You did a great job, and that if you're ever want to tutor my students in movie sound, I'd gladly recommend you.

- Brad Hughes, Director of School of Music and Sound Design for Visual Media, Academy of Art San Francisco
2009 Leisure Heights